Giving one big finger to trends, genres and mediocrity has been Mason’s mantra for over twenty years.

His studio creations and energy behind the decks are a direct reflection of this personality. Equal parts groove, melody and eccentricity the Dutchman avoids jumping on electronic music bandwagons at all costs.

In the last two years he’s had releases on respected labels such as Island Records, Defected, Kittball, Sweat It Out, Skint and Bunny Tiger. Mason’s ‘Rhino’ was one of the tunes of last summer, which became a BBC Radio 1 ‘Hottest Record In The World’.

There have been two fully-fledged artist albums by Mason, featuring a plethora of guest artists. He’s so far managed to persuade the likes of Roisin Murphy, The Noisettes, Aqualung, Hercules & Love Affair and Jocelyn Brown to join him. Even hip-hop royalty the like of Daryl “DMC” McDaniels, Kurtis Blow and Sway have found themselves on Mason records. More recent partners in crime include Stefflon Don and The Manor.

Then there’s his own label, Animal Language; a musical menagerie for Mason’s weird and wonderful creations. This is usually music that is just too damn strange and obnoxious for most labels out there. It has featured ‘Refurbs’, the ‘Nite Rite’ series and scores of knarly tunes from a host of producer mates.

In what is becoming a very trend driven, genre specific world Mason constantly strives against the norm by creating music on his own terms. The most important thing is simply making what he’d like to play that will also engage his fans on a dance floor or over the ether. What Mason does have is a unique vibe and ‘fuck you’ attitude to making music that is infectious and refreshing.

 

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